Giving the World a Holiday!

Every year, as I prepare for Portraits of White, I'm always amazed by the new theme that emerges. Certain song lyrics call out to me and say, "this is why you are doing the show".  This year the phrase is; "give the world a holiday that's bright as can be". That's what I plan to do with the concert this weekend. 

It's a crazy, busy world out there and as we get closer to Christmas we all long for a chance to take a deep breath to gear up for the day that is meant to bring joy. But for many people Christmas Day feels pretty empty and lonely. Many folks just "try to make it through" to the New Year. We plan to give folks the breather they are longing for with lots of great music, laughs and even lights, to brighten up the world here in South Central Pennsylvania.

Friday morning I went over to the venue early in the morning to go through the whole concert without all the other players, fancy lights and pretty dresses. I don't know how to turn on the lights in this big auditorium, so I figured I could just walk slowly and let my eyes adjust to the darkness.  I made my way to the platform, in the dark, down the center aisle, up the steep steps to the stage and shuffled across the stage (arms extended to buffer myself from objects) toward the grand piano hoping there weren't any mic stands or monitors that were repositioned after rehearsal the night before.

I made it safely to the piano and decided I'd practice the whole show from that stationary position. No need to be walking around in the dark more than necessary. I turned on the little stand lights at the piano and that was all I needed to get started with the show. I couldn't see a thing except for the piano keys and all the EXIT signs in the room. At least I know where the exits are, even if I can't see how to get to them.

The strangest thing happened though. The longer I played the piano and told my stories to the empty room, the more my eyes adjusted to the dark. In fact, I became so used to the dark that within twenty minutes or so, I could see the stage and felt confident enough to actually walk around. It's always good to take some time getting used to the layout of the stage where you're giving a concert. It's like familiarizing yourself with all the controls in a rental car. It makes the trip a lot more relaxing if you "know" where everything is. I went from shuffling around on stage to actually feeling quite comfortable and confident in the dark.

An hour or two into my rehearsal the facility manager arrived and asked if I wanted some lights on. I was so used to the dark that I declined. I kind of like the solitude and quiet before the BIG weekend. I don't know why a dark room feels more quiet, but it just does. 

As I stood on the stage looking out over the empty seats, I couldn't help but wonder how many times I've allowed myself to "get used to living in the dark" when it comes to some areas of my life. The things is, in the darkness, objects that could be useful to me actually pose as a threat because I don't bother to turn on the lights or allow someone else to turn the lights on for me. In fact, in the dark, everything can be dangerous. But if you sit there long enough, you'll get used to the dark and think it's normal.

I believe that we've created something special with Portraits of White—and I say "we" because there is a whole team behind this extravagant concert experience. People still say, "It's YOUR show"—meaning, do what YOU want, but there are so many people who have come alongside me to make this dream come true and so I no longer see it as "my show". We plan to really give the world a holiday that's bright as can be, especially for those who might have become accustomed to sitting in the dark.

For tickets to see Portraits of White, click HERE!

Dream Clues

Dreams were meant to grow up and mature.

Explode with excitement.

Come to fruition.

But they don't all make it to the end or turn out exactly like we first envisioned them.

However, it's in the dreaming, trying and working that we grow and mature, no matter the outcome of the original dream.

I loved putting on shows when I was little.  My family was my audience and the living room was my stage.  I loved playing the piano. It's easy to dream when you are little.

Frances at age 3.

But how do you go from being the little 3 year old with an imagination to actually doing what you always dreamed of doing or even just getting in touch with the dreams you had as a child when life has taken over and controls your time?

Frances at age 48.

Ask yourself these questions and you will discover some clues:

• What causes you to lose all sense of time and fear?  Listen to your heart in those moments.
• What would you do for free just because you love it? Do it so well for free that others pay you to do it.
• Who are you when no one is looking and you are totally unencumbered with doubt and timidity? That's a clue!
• Use every present opportunity to practice at what you dream of doing.

So here I go again - doing another Portraits of White winter concert. A dream in the making. 

Please share it with your friends.

Then come and dream with me.

Buy your tickets here.

Never By Accident

I watched her fingers tremble as she pressed the strings against the wood, but they weren't trembling from nerves.  They were adding the rich vibrato that makes the cello sing.  Combined with her bow techniques, her poise and confidence, the little black notes on the page jumped off and brought my weary soul back to life.  Even the 'rests' were part of the moments.

I asked her if I could sit beside her and watch her play.  Her music has always touched me deep down in my soul and often makes me emotional.  When we play together, it becomes even more powerful.

How can inanimate objects like wood strung with catgut melt a person's heart? Like water that changes the shape of a hard rock over years of time.  Only my heart melts within just a few measures. A few seconds.

As I sat and beheld this amazing player on her well-worn instrument, I got new inspiration. The page she was playing from was written with piano and choir in mind.  It wasn't just for cello. Without the other members of the music performance, it would have sounded incomplete, albeit beautiful.  But it was written to go with other parts.

One page. That's all she had.  She couldn't see anything else. No choir music, no piano accompaniment.  Just her part. She had to trust that what she had would fit into the whole.

You might feel as if you are a tuba in a spa, but believe me, there is a spot for the tuba.  It adds incredible rich bass tones in the context of the whole. The gifts you have, the special wiring you came with, have a purpose and a place.

If everyone plays their individual part to the best of their ability, when it all comes together it will sound amazing, but you have to trust the person who wrote the arrangement.  You have to trust that he knew what all the other players would be doing and how your part fits in context.

Focus. Trust.  Faith.

I first wrote the piano piece called "Never By Accident" from a few simple notes. It happened by accident. But my producer wanted to add other players to what I originally thought would be a solo piano piece.  I couldn't quite catch his vision until the piece was completed.

I changed the original title from "By Accident" to the new name: "Never By Accident".  It was too beautiful to be an accident and it was now going on my CD.

You were not an accident.  You, like the piano in this song, are meant to be part of a bigger piece.

You are beautiful.  Don't shy away from letting yourself become part of something larger than you.

You weren't meant to play alone.

You were never an accident.

A Dream Coming True

If you have been following my blog, you already know that I have been planning to do a big Christmas concert this year.  The time is fast approaching and this week I sent out a press release to the local newspapers to announce the show.  I thought I would include this release as one of my blog entries.  It tells the story so well.

Whether December heralds a joyous or not-so-joyous holiday season, Frances Drost, singer, songwriter, and storyteller, invites you to join her and guest conductor, Ed Kee, to a one-night only concert, December 6.  Portraits of White: The doors open at 6:00 and the show starts at 7:00 pm, at the Rose Lehrman Arts Center, HACC Harrisburg’s Area Community College, One HACC Drive, Harrisburg, PA.

Frances writes mostly at the piano, with orchestration added later, to create scenes that are rich in story.  Take depression and loneliness, for instance, tough emotions especially during the “happiest time of the year” and Frances weaves story and music together, taking you with her on a journey back to the heart of Christmas. 

“There was a Christmas not too long ago when I found myself disliking almost everything about this holiday. I think there is something to be gained by looking at the conflicting emotions we feel.  What I do is give permission (to the people that need it) to stand up and say “I am not alone!”

“Behind the songs there are stories, which you don’t get on the CD, but I have seen how people connect to my stories so I expand on them in the concert.”

Based on the music of Portraits of White, her seventh CD project, released in December 2013, this concert is sure to delight the senses, with a live orchestra and multi-media production. The title track is music set to images onscreen featuring the beauty of snowy landscapes.

Frances’s music will warm and encourage you to take another look at your own relationship with Christmas.

Frances has been connecting with audiences both locally and across the U.S., for over a decade. Her commitment to traveling from her home in Newville PA to Nashville TN regularly to build her career has connected her to musicians that have helped shape the course of her life and music.  

Ed Kee, from Franklin, Tennessee, is one of those musicians. Frances is delighted that Ed accepted her invitation to be guest conductor for the Dec 6^th concert. Ed has been a highly visible creative force on the Nashville music scene for over 30 years, where his music career finds him in such roles as studio singer, arranger, orchestrator, producer, record label executive and music publisher.  Frances and Ed have joined their professional skill and talents over the last year to bring about this one-night musical journey on December 6th.

Frances has held the dream of a concert like this for a long time, — in fact, since childhood.Portraits of White, the title track, sparkles with Frances’ childlike delight of a new snowfall. She vividly remembers the birth of this song in 2000:  driving through snow blowing like angel-hair across the road, to record Big Blue Sky, her very first CD project in 2000 in Chambersburg, PA. 

It has taken 14 years for Portraits of White, the song, to find its way to its own CD project and finally now, to a bigger stage and live orchestra - it is a dream come true for the little girl who loved snow, ice skating on her farm pond to music and putting on ‘shows’.  After all, there was a time when she loved the holidays, so it’s not all sad and she has found a way to laugh at herself and bring others with her in the laughter.

Frances was the winner of the Momentum Award for “Female Artist Of The Year” and was also nominated for “Inspirational Artist Of The Year” at the 2009 Momentum Awards ceremony in Nashville.

So get your tickets now (there aren't many left) - this is a one-night event that promises to be not just a concert, but an experience that Frances believes will impact how you feel about the holiday season.

Visit http://www.francesdrost.com/events to get your tickets and more information about Portraits of White.

"The Elephant Diet" Day 28

Another amazing day.

Started out early having breakfast with a new found friend.  What a rich conversation.  I am continually amazed at the people God brings into my life and how He seems to order our steps, even when we're not sure He is.

This afternoon I met with the orchestra conductor and his wife in their home.  I heard him conduct an orchestra at an event back in the beginning of December and have been in touch via e-mail ever since.

He is going to orchestrate an arrangement of "Joy To The World" that I posted weeks ago.  I will be anxious to hear what he does with the song.   I decided, after meeting with him for a couple of hours and feeling quite comfortable, that I would hire him to do this song.

Though I arranged it on the piano, I envision playing it with other instruments.  I am not attached to what I've done on the piano, (at least I think I'm not) so I gave him complete freedom to run with it and will see (or hear) what happens.  I am learning that letting other people do what they do best can only bring about good things.

It was so inspiring to think that I've come this far in my musical journey. Approach a conductor???  Are you kidding? Some days I think "of course this is the next step!"  Other days I think "who on earth do I think I am......what am I thinking?"

This is a fun stage.   I feel like a toddler.  One minute I march forward with confidence, next minute I bump into a table and fall down and cry, wondering what I'm trying to do here.  Then I hear from some of you and am so glad to know that I am not going this alone!

I will be excited to hear what he does.  "Does he hear what I hear?".....oh....that's a christmas tune isn't it.

"The Elephant Diet" Day # 12

I'm so tired! I have to confess, I crashed a bit today. It's been so busy with concerts the past two nights in a row, working at the church, keeping up with home stuff and the Christmas project I'm blogging about.

I came home from working at the church and working out at the gym and my brain was so exhausted I didn't think I could carry on in any kind of creative venture today.

In spite of exhaustion, I did listen to some music that the orchestra conductor sent me and have been pondering how best to proceed with him. Do I have him listen to what I'm writing and see if he is inspired by it and can write orchestration for my songs for a live show? Or do I record the songs first and then come back to him with the finished product and have him write arrangements for a live show then? And how much will his work cost? So many decisions!

I also spent some time listing all the songs I've written relating to Christmas and the popular tunes I'd like to record too and I have too many for one project. That means I will have to cut some out. Ouch!!!!

For now.....it's back to the church tonight for rehearsal and service planning.

"The Elephant Diet" Day # 11

Concert at Menno Haven, PA

My mother listens to my program

A few very cool things happened tonight in relation to my CD project.

I gave a short concert at the retirement home where my mother lives.

Someone from the community who is on my mailing list must have seen the date scheduled on my calendar and came to the concert.  She first heard me years ago in MD at another concert.

She came up after the program and asked if I've ever considered doing a Christmas CD.  For the first time in years, I was able to respond by saying, "yes, I have committed to doing one!".  Usually I say, I hope to someday, or I don't know if I'll ever get to do one or not.  But tonight, I could say YES and I felt like shouting it out!!!

The other neat thing that happened was that after my concert, I checked my e-mail and discovered that an orchestra conductor I contacted recently about doing orchestral arrangements and conducting for a Christmas show (to celebrate the completion of the CD) finally got back to me and is available to meet and listen to what I'm writing and see what he thinks about writing arrangements for the songs.

I am quite excited!  Onward we move!!!

Now...I'll go eat some of the fresh chocolate chip cookies I just took out of the oven.....joined by my husband.