The Second Half of the Story

"You know the material, you've just mis-applied it". 

I traveled all the way from Pennsylvania to Tennessee just to hear that??? 

Working with Live Music Producer, Tom Jackson.

I couldn't believe what he was saying to me. I had studied his material for over ten years and was sure I had a handle on it.

I guess I must have been visibly shaken (I know I was on the inside) because he began to spend the next hour encouraging me, but it didn't seem to penetrate my disappointed soul. 

I remember a similar feeling when I was in high school and thought I did really well on my math test only to find out I failed it. But this was much more important to me than a math test!

For over ten years I studied Tom Jackson's methods for live performance.  I bought his tapes, DVDs, signed up for his seminars and studied with his assistants. When he started writing a blog, I read that. I'd drive to my concerts while listening to his teaching just to keep his wisdom fresh in my mind and soul. I began to see pre-concert nervousness and anxiety disappear as I applied his techniques.

Many performers usually have multiple layers of fears. At the bottom of all our anxiety lies a fear that no one will like us. The next layer comes from fear that if we don't perform perfectly, we are a failure.  We think about the perfect notes, trills, pitches and how we are perceived and rarely ever think about the audience and what they might be feeling and thinking.  As I've begun to focus more on my audience and less on me everywhere I go, I have gone from being nervous to having complete peace before each event, thanks to Tom.

So when I finally got to work with Live Music Producer, Tom Jackson, over a year ago, I was pretty sure that we could skip the basics, cut right to the intricate details and really cover some deep territory because I already had a handle on his basic methods. Boy, was I ever wrong. But that's the first half of the story.

I learned a lot more as I spent the rest of the afternoon working with Tom, but I never fully recovered from feeling like I was a failure. I probably mis-applied his encouragement too. He told me that I knew more than about 90% of the artists out there because of my diligent study, but by then, I couldn't seem to hear that part.

Last week, in my blog post, I shared a very big answer to prayer. The answer was having Tom come to my Portraits of White concert last weekend to see me apply his methods....or at least try. 

Enjoying ice cream with Ed Kee (Conductor) and Tom Jackson after the concert.

Hearing the initial words from Tom was a wake up call for me because it called attention to an underlying feeling I've struggled with for years, but could never put my finger on, until he said "you've mis-applied the information." I realize now that it is a thread of fear stitched into the core of who I am, but thankfully, that thread is starting to come unraveled.

You see, I have a crippling fear when it comes to God. I am afraid I'll spend my whole life trying to please Him and then one day, He'll tell me "sorry, you mis-applied everything".  FAILURE.

I'm the kind of person who tries hard to do everything right. Just tell me how to be perfect and I'll give it my best shot.  I even apply this to my spiritual life. Just tell me how to act right so God will love me and I'll do it.

But there always seemed to be a low-grade fear inside. That fear was brought to the surface by an innocent conversation with Tom J. I never fully recovered from my first session with Tom. It hung over me like a faint wisp of smoke, clouding my vision AND my faith.

The morning of my Portraits of White concert, I was walking the grounds of Messiah College and pondering all that was unfolding. The fact that Tom was willing to come all the way to Pennsylvania and invest his time and wisdom in my life was a sort of redemption that I greatly needed.  He hadn't given up on me, in fact, he was coming to help me grow and improve. His words spoken almost two years ago were never meant to hurt or discourage. He was trying to help me. I knew that in my head, but my heart needed to feel it. His presence at my concert moved it 12 inches from my head to my heart.

The more I press in to understand God and allow Him to love me, the more He seems to stir up my bad streams of thought that affect every area of my life. He brings them to light and I'm learning that He does so, not to condemn me, but to lead me into greater freedom.

After the Portraits of White concert, I heard that Tom gave me a 10 out of 10 on my performance. Many people have asked me what he thought. My big sister apparently asked him (thanks big sister!) I know that he'll have some tips for me that will only make me better and I look forward to hearing them after the post-concert dust settles! I'm not afraid to hear what he has to say - even if I'm still mis-applying knowledge, because I know that he has my best interest at heart and over time, I will not only learn his techniques but learn how to apply them.

Having him come to my concert was a picture of God coming to my rescue to help me learn to apply His ways and thoughts to my life. He, after all, is the greatest producer there is.  He loves creativity and He loves a great show!

Just watch the lightening.

The sunsets.

The male cardinal.

I'm learning that even if I mis-apply knowledge, the Great Producer will come and sit with me and help me learn not only how to know Him better, but to apply His wisdom and become a better artist.

That's the second half of the story.

Never By Accident

I watched her fingers tremble as she pressed the strings against the wood, but they weren't trembling from nerves.  They were adding the rich vibrato that makes the cello sing.  Combined with her bow techniques, her poise and confidence, the little black notes on the page jumped off and brought my weary soul back to life.  Even the 'rests' were part of the moments.

I asked her if I could sit beside her and watch her play.  Her music has always touched me deep down in my soul and often makes me emotional.  When we play together, it becomes even more powerful.

How can inanimate objects like wood strung with catgut melt a person's heart? Like water that changes the shape of a hard rock over years of time.  Only my heart melts within just a few measures. A few seconds.

As I sat and beheld this amazing player on her well-worn instrument, I got new inspiration. The page she was playing from was written with piano and choir in mind.  It wasn't just for cello. Without the other members of the music performance, it would have sounded incomplete, albeit beautiful.  But it was written to go with other parts.

One page. That's all she had.  She couldn't see anything else. No choir music, no piano accompaniment.  Just her part. She had to trust that what she had would fit into the whole.

You might feel as if you are a tuba in a spa, but believe me, there is a spot for the tuba.  It adds incredible rich bass tones in the context of the whole. The gifts you have, the special wiring you came with, have a purpose and a place.

If everyone plays their individual part to the best of their ability, when it all comes together it will sound amazing, but you have to trust the person who wrote the arrangement.  You have to trust that he knew what all the other players would be doing and how your part fits in context.

Focus. Trust.  Faith.

I first wrote the piano piece called "Never By Accident" from a few simple notes. It happened by accident. But my producer wanted to add other players to what I originally thought would be a solo piano piece.  I couldn't quite catch his vision until the piece was completed.

I changed the original title from "By Accident" to the new name: "Never By Accident".  It was too beautiful to be an accident and it was now going on my CD.

You were not an accident.  You, like the piano in this song, are meant to be part of a bigger piece.

You are beautiful.  Don't shy away from letting yourself become part of something larger than you.

You weren't meant to play alone.

You were never an accident.

"The Elephant Diet" Day 51 Pictures

I cheated over the weekend.  I made another 'to do' list on Saturday for this project because I am at a different place now than my first 'to do' list.  That's a good thing!

I had a very full day at the church and I have a meeting again tonight.......so - my post today will be a picture of the producer who is working on my song "Night of Miracles".

Last week they did bass and drums (you'll see the 2 players) and this week it sounds like they will add electric guitars.

David Spencer (producer) (middle) with bass player  (L) drummer (R)

"The Elephant Diet" Day # 37 My hero

Tonight I am back to tackling my 'to do' list.

One of the things on my list is to begin preparing for a session with my music hero and live show producer Tom Jackson.

A record producer makes all yours songs shine on a recording - choosing the players, the songs and coordinating all of it.

A live show producer takes the songs and pulls them apart looking for special things within each song to help you create moments for your audience.  It's the part that really begins to help you connect with people from a stage.

I first heard Tom at a seminar for music artists in Franklin, TN.  As soon as I heard him speak,  I knew that someday I would want to set a goal to work with him.  This year will hopefully be the year.  Since that first encounter, he has become quite popular with the music industry and he's much harder to book now (should have booked him back then).

In preparation for working with him, I have to choose 4 - 6 songs for him to listen to.  I have started the list, but it's like picking your favorite 4 out of 12 children.  Not an easy task.  But since I've worked with his assistant over the years and have studied his materials over and over, I have a sense of which ones I'd like to have him tear apart.

Here's a photo of Tom's great assistant Amy Wolter and I working together last summer.